The plays cohere by virtue of an almost primeval enthusiasm. If you think of the average play as a vertical line, Sam Shepard's drama is a horizontal. The play can be nasty as a whiplash, and the production, running a little more than an hour, is unnecessarily strident. First seen at La Mama in New York in , the play is a genuine - and sometimes genuinely silly - early-Seventies political period piece which combines a sweeping contempt for the pornographic violence and dehumanising commercialism of American popular culture with a wild sense of sexual freedom and a vague belief in the inevitability of armed revolution. Four midnight performances were directed by Bill Hart. Shepard's play, "Shaved Splits," written in when he was 25, couldn't have a better Bohemian venue. He cuts the plot to ribbons, zooms in for giant, bubble-gum close-ups, and stands cheering from the sidelines
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The plays cohere by virtue of an almost primeval enthusiasm. Director James Terry brings his personal Actors' Gang energy to this Players production that thrives on a dramatic idiom rife with '60s rebellion Arthur Sainer, Village Voice: Shepard's play, "Shaved Splits," written in when he was 25, couldn't have a better Bohemian venue. The Los Angeles Times once described Sam Shepard's Shaved Splits as an "obscene romp through the sexual, corporate and political gutter of America"; but in truth, this cheeky little firebomb of a play is both filthier and more complex than that. He cuts the plot to ribbons, zooms in for giant, bubble-gum close-ups, and stands cheering from the sidelines A one-act cartoonish play about a pampered woman named Miss Cherry who sits around eating chocolates, reading porno novels, and insulting her servants until her boudoir is invaded by a revolutionary on the lam named Geez.